Part of the Why Is My English So Good? series.
This series reflects on identity and belonging, drawing from Lutgen’s multicultural heritage to challenge the assumptions embedded in the question itself. It expands into broader conversations on colonialism, globalisation, and the positioning of Asian women across cultures.
In this piece, Lutgen layers contrasting brushstrokes that flow like waves, evoking both motion and turbulence. Amid vibrant shades of pink - from soft blush to neon intensity - a grey, hidden face emerges, the only subdued element in the composition. Its quiet presence against the restless colour field captures the tension between visibility and invisibility, self-perception and how others perceive us.
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This is a collector’s original: a 1/1, hand-painted work by the artist, signed and accompanied by a certificate of authenticity.
2022, acrylics on canvas, 70 x 70cm, 1 of 1.
Frame not included.
Part of the Why Is My English So Good? series.
This series reflects on identity and belonging, drawing from Lutgen’s multicultural heritage to challenge the assumptions embedded in the question itself. It expands into broader conversations on colonialism, globalisation, and the positioning of Asian women across cultures.
In this piece, Lutgen layers contrasting brushstrokes that flow like waves, evoking both motion and turbulence. Amid vibrant shades of pink - from soft blush to neon intensity - a grey, hidden face emerges, the only subdued element in the composition. Its quiet presence against the restless colour field captures the tension between visibility and invisibility, self-perception and how others perceive us.
—
This is a collector’s original: a 1/1, hand-painted work by the artist, signed and accompanied by a certificate of authenticity.
2022, acrylics on canvas, 70 x 70cm, 1 of 1.
Frame not included.
